Alternative Friday

helping to spread the word about impressive new & under the radar musicians

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Inside album artwork by Ben Duarri aka ‘Screen Prince’, created using lyrics from the album. Each picture is a song.

Mojomakerz are an experimental music project created by Lincolnshire based musician & songwriter Paul Hegarty, who teamed up with Scottish musician, songwriter, & producer Ian James Stewart from the band Strangeways. The outcome of their collaboration is the musically rich album Tales For Sunrise, which also sees (among others) the producer Youth (Killing Joke), legendary musician Robert Wyatt, and Tony Foster (Spiritualized) putting in a shift. This Q&A is with Paul Hegarty, so read on to find out how it all came together, and what Cheech & Chong have to do with rock ‘n’ roll…

Website | Soundcloud | Twitter | Facebook

 

~ How did the two of you come together as Mojomakerz?
I’ve known Ian for over 20 years now & used to hang out with Davey, Ian’s younger brother. We used to go over to Ian’s studio all the time & over time I got to see how the studio & the recording process worked. I’ve always been in awe of Ian’s immense musical talent, so when I made some Mojomakerz demos a couple of years ago I took them over to him. He really liked the demos so I asked him to come on-board with Mojomakerz & that’s basically how we got together.

~ There’s a wide array of influences in your music, but how would you best describe it for those who may not have come across it yet?
It’s a cross between rock, electronica, and ambient music, with hints of Middle Eastern & African influences thrown in across the whole album. It’s a kind of east meets west vibe & It works really well too.

~ What did you find most challenging about the making the album?
In actual fact making the album was very organic, it all came together naturally. Luckily for us there weren’t really any challenges as such during the making of the album, as we are 100% independent & were releasing the album on my own label, so I think if anything, organising & getting everyone into the studio as everyone has busy schedules was probably the hardest challenge! In all honesty that wasn’t too hard as everyone loved the tracks & wanted to get involved, which was fantastic for us.

~ How did you get to collaborate with so many well-known names on the album?
I first met Youth 25 years ago when I lived in Mojacar, Spain, & was playing guitar in a rock band called The Flying Vultures. We had Keith Webb (Donovan’s drummer from the 60’s) on drums, & Youth was staying at Keith’s apartment, and one day Keith sent Youth over to mine to meet up & during his stay he came over to mine quite a few time to ‘socialise’ so to speak!

I contacted Youth again a couple of years ago & asked him if he’d take a look at the Mojomakerz website. Anyway he invited me to his house in London for a meeting to discuss the album, & I took a long 4 rough mixes of the album tracks. After he’d heard them he simply said he’d like to mix the album for us as he really liked the tracks, but he also gave us some great advice about changing a couple of things in the tracks, so that happened & I sent the finished mixes to Youth & we went from there!

I must add that I went to Youth with no expectations whatsoever, so naturally I was blown away by hearing this. Unsigned, unheard of and having one of the worlds best producers want to mix our album! It was a bit surreal, it really was, but it also gave us even more confidence because we already knew we were making great album. Youth invited me to London because he also knew we had Robert Wyatt on the album, & as Robert is now ‘officially retired’ Youth wanted to know how we had got Robert involved as he’d turned down a lot of work with major artists. Well, Ian has worked & known Robert for a number of years now & so basically what happened was that Ian played a couple of tracks to Robert, Robert loved the tracks and offered to help us out, that was that, fantastic! I met Tony Foster & Jason Pierce from Spiritualized whilst I was down at Youth’s, as he was producing their new album for them, & I got on really well with Tony, so when we completed the rough mixes & had sent these to Youth, he got back to me saying Tony loved the tracks & would love to get involved if possible. Again that was really great for us… basically it snowballed like that all the way so that’s how we got to work with everyone involved on the album.

~ Who were your musical heroes when you were growing up?
I really liked Chuck Berry & many of the blues greats like BB King etc. I also really liked Ian Dury & The Blockheads, Pink Floyd, Bowie… basically I was into everything across the board when I was growing up, from Metal to Reggae to Rock to Pop & some classical sounds too!

~ Which famous song by another artist would you love to have written yourself?
Imagine by John Lennon, I think it’s one of the greatest songs written.

 

~ If you were appearing on ‘Later with Jools Holland’, which track from the album would you choose to perform and why?
It would have to be ‘Ship Of Fools, in my opinion, as the track is very apt with what’s going on around the world today, who’s running this place & what’s going on? We’re all sailing on a ship of fools… the track says it all really, so it would be ideal.

~ What are your plans for 2016?
We plan to release an EP which we have already started working on, & possibly a few more mixes from the album. Live gigs is also something we have discussed as well but we’ll see how the year goes & get some more material together first.

~ Are there any other new bands or musicians local to you in Lincolnshire that you recommend we check out?
Our keyboard player from the album Charlotte Hubbard is in a folk band called Kinfolk.

~ Who would you choose to play the two of you in a film about Mojomakerz?
Haha… well, ooh err, perhaps Cheech & Chong would pull it off well!
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~ Who is your musical Guilty Pleasure?
Okay, I also like listening to Prince, yes the Purple one… I think the man’s an absolute musical genius.

~ What would you tell your teenage self?
Don’t listen to people trying to put you off your dreams, & don’t share your dreams with just anyone!

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I’m not sure an Emerging artists post has ever covered African soul, urban folk, country rock, and something quite ambient all at the same time! If it’s a first it’s because they’re all quite outstanding creations though, so which are your favs…

 

Lewis Bootle – All I Know
This is a gem of a tune with captivating lyrics by singer, songwriter and guitarist Lewis Bootle, from Ware in Hertfordshire, but is it urban folk or acoustic rap? I’ll let you decide.
Website | Soundcloud | Twitter | Facebook
[Sorry – track removed from soundcloud]

 

Haula – Freedom
Exotic vocals and an uplifting tune combining soul, blues, and African influences, make for a wonderful sound from London and Oxford based singer and pianist Haula Nakakembo. The production is highly polished production too. Gorgeous.
Website | Soundcloud | Twitter | Facebook

 

Mojomakerz – Zayed
There are so many different ways you could describe the music from the Tales for Sunrise album by Lincolnshire based musician & songwriter Paul Hegarty, and Scottish musician & producer Ian James Stewart, but I’ve called it a mix of experimental, electronic, & ambient. Either way, this atmospheric “East meets West” track and video should start your colourful Mojomakerz journey with a smile.
Website | Soundcloud | Twitter | Facebook

Matthew the Oxx – Haul It Up
Havana, havana, havana cigar… isn’t your everyday start to a song, but it kicks off Haul It Up with a rousing energy that keeps you hooked until the very end. Matthew the Oxx is possibly better known for his folk tracks, but this adds a country rock feel to it too. A wonderfully catchy combination of styles.
Website | Soundcloud | Twitter | Facebook

[Sorry – track removed from soundcloud]

It may be cold outside, but the varied array of tunes in this month’s Mixtape should warm you up, as they cover everything from post punk and garage, to urban folk and electro pop, with numerous other gems in-between. Enjoy…

 


Let’s Away – Control
Matthew the Oxx – Haul It Up
Rews – Death Yawn
Lewis Bootle – All I Know
Filter Distortion – Another Life
Semantics – My Detainer
Martyn Peters – Save Me From Myself
The Isabelles – Fall Away – April
Anna Pancaldi – Runaway
Albert Man – Do You Think About Me

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Austin based Charlie Belle are comprised of the wonderfully talented teenage siblings Jendayi Bonds (songwriter, vocalist, & guitar) and her brother Gyasi Bonds (drummer & vocalist), with their two EPs to date highlighting their infectious blend of joyous pop and sun-filled indie, aka “alternapop”. A year ago we featured them in an Emerging artists post, while they were also the winners of an Alternative Friday 2015 Awards gong. They’ll soon be playing at the prestigious SXSW festival, and warm up for it here in facing a Q&A, but what do writing to the tooth fairy, geography teachers, and Frisbees have to do with rock ‘n’ roll…

Website | Soundcloud | Twitter | Facebook

 

~ You’ve created two high quality EPs at quite a young age, so do you come from a musical family?
(Gyasi) I wouldn’t necessarily say we come from a musical family, with the exception of our grandparents being classically trained singers. Our grandfather started The Duke Ellington Show Choir at Duke Ellington School of the Arts in DC, and he is a voice teacher at several universities in that city. Our grandmother has been a hired soloist her entire life. They used to perform operas and music theater before while our dad was growing up. Our parents aren’t musicians or in the music industry though. I was four and my sister was seven when my mom asked what instruments my sister and I would want to play. I chose the drums my sister chose guitar, and we’ve been playing ever since (11 years).
(Jendayi) I suppose the quality of our EPs is a combination of my songwriting and having amazing producers and recording studios at our disposal. Kids who are into music here have access to a lot of great opportunities to record at really low costs.

 

~ Writing wonderful pop songs seems to come effortlessly to you. Where do you take your inspiration from, and are you involved in the highly polished production?
(Jendayi) Most of my inspiration comes from a personal feeling or experience. If I’m feeling a certain way or I’m going through a certain thing, the way I process it is through songwriting. The first step for me is getting it all out, and the second is making this feeling vague enough to be relatable. I learned how to write, in general, when I was around 4 with writing notes to the tooth fairy (back and forth because my mom, who taught writing at the time, would reply), and progressed to essays and stories in school. My mom always thought that writing was very important and didn’t think that schools taught it well. I think that once I got into music, translating my writing over to songwriting was natural. In terms of production, I’m pretty hands on. Most post-writing additions are simply cutting out a measure here or there when it gets too lengthy and adding backup vocals and additional guitar tracks. I do however very much appreciate having another voice around, to catch me when there’s something I don’t hear or a thought I don’t have. In this way, my songs wouldn’t reach the full level of record-potential. I like having a second opinion in production.

 

~ What’s the best thing about being in a band with your brother / sister… and what’s the worst?
(Gyasi) Being in a band with my sister is kinda cool. I like to think that she and I have built a great relationship because of the band. The best part is that Jendayi is an amazing songwriter but she’s also a great arranger. She writes with all the instruments in mind so when she brings me a song to add my drum part, it’s already arranged and mapped out. The worst part has to be shifting from brother-sister roles to bandmate roles. That was really difficult for me when I was younger and I have to admit that I made her job harder. We fought A LOT! As I’ve gotten older, I realize that as soon as we get into band mode, it is easier to see her as my bandmate.

 

~ You’re playing the SXSW festival in March. In the UK that’s seen as one of the leading new music festivals in the world, so you must be hugely excited? How did that come about?
(Jendayi) Every year is definitely very exciting just because you can feel the whole town’s excitement, and the bustle of playing more than one show in a different place multiple times in one week is just so thrilling. We’ve been playing SXSW basically since we started the band in 2008, because here in Austin there are unofficial shows that are sponsored by local organizations or venues. One of our very first shows was a SXSW day party at Hotel San Jose in 2008. Our entire set was 9 minutes, including the Led Zepplin cover “Tangerine”! Last year was our first time playing “branded” unofficial shows which are also not official, but outside businesses sponsor an event, like Amy Poehler’s Smart Girls, which we played last year. This is our first year playing official SXSW, so we’re all pretty curious as to what new and exciting things we’ll be a part of this time and how this may or may not change our experience.

 

~ If you could play live at any venue or festival in the UK, where would it be and why?
(Jendayi) If I could play anywhere live in the UK, I think it would be at the Glastonbury festival. If I’m being honest here, I don’t really have much of a good enough reason other than the fact that my favorite band the Arctic Monkeys headlined a couple of years back and I would be so honored to be able to play a festival that the Arctic Monkeys made such an impact on only a few years ago.

 

 

~ Are there any other new bands or musicians local to you in Austin area that you recommend we check out?
(Jendayi) If you’re into finding your groove, I think a great Austin-native band to check out would be Frederico 7, which is Brazilian Funk. The lead singer used to be my high school World Geography teacher and the band actually has its own day in Austin! I also love Wild Child (indie folk) and Riders Against The Storm (hip hop). DJing is huge here, and DJ I Wanna Be Her is one of my favorites. It’s just so hard to choose in Austin because there are so many amazing bands in all different genres and just about everyone we know is in a band.

 

~ If you could curate your own festival stage, what six musicians would you invite to perform?
(Gyasi) I would curate a festival with Alabama Sakes, TV on the Radio, and The Kooks (and 80’s band A-ha).
(Jendayi) My three bands on the roster would probably be the Arctic Monkeys, Tame Impala and Tokyo Police Club (and Young the Giant). This was a really hard question.

 

~ If you could collaborate with a famous musician or band, who would it be and why?
(Gyasi) I would want to collaborate with Quest Love because he is such an amazing drummer and band leader. I think that I could learn a lot from him.
(Jendayi) Alex Turner because he is an amazing songwriter (ok, and really cute too). I am so inspired by the way he uses metaphor and simile in his writing. I wrote Metaphorically Speaking in an attempt to write like him.

 

 

~ Who makes you laugh?
(Gyasi) Donald Glover, Aziz Ansari, Nick Offerman and Dave Chapelle. They all make me laugh because they all have crazy personalities and how they deliver their joke or line is always funny.
(Jendayi) Dave Chapelle for sure but I love funny shows like Extras (with Ricky Gervais), Getting On, and Parks & Rec.

 

~ If you could have a superpower for a day, what would it be?
(Gyasi) My power would be to control space and time, to go forward backwards in time. Or freezing it. Or super speed.

 

~ Aside from music, do either of you have any other creative skills? (or obscure talents!)
(Gyasi) I play ultimate frisbee on the team and will play almost anything for fun (skateboarding, basketball). I used to play lacrosse on a team but as I got older it was too intense. I was also a rower (sculling).
(Jendayi) I used to play lacrosse and I rowed (sculling) on a team. I’m getting back into sculling this spring though.

 

~ What are your plans for 2016, will there be another EP, or are you working towards an album?
(Jendayi) We are in the process of writing and recording an LP. We’re also looking to play more outside our region (hopefully Europe), and mid-level festivals. I’ll also be starting college in another state in August so that’ll be a huge thing and I’m really excited for that.
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Bristol based Paul Tierney, aka Lonely Tourist, and now part of Plume of Feathers, has been featured here before, picking up a gong in the Alternative Friday 2014 Awards, as well to appear in the Best of 2015 Mixtape.

Plume of Feathers is not just a band either, but a debut album, and a former pub, which is where the album takes its inspiration from –  being based around unfortunate decline of pubs in the UK, so read on to find out what soup, swimming pool cleaners, and an ‘arewefinishediwantapint-ist’ have to do with indie rock ‘n’ roll, and (depending on the day of the week you’re reading this) what his preferred hairstyle is!

Bandcamp | Soundcloud | Twitter | Facebook | Lonely Tourist

 

~ Where are you right now, and what can you see?
In a living room (East Bristol)… I can see some 60p flowers from Tesco round the corner.

~ You’ve written that “Lonely Tourist is one bloke, while Plume of Feathers are a band”, so how did the wider band come together?
Chris Webb and myself got together to write songs around the theme of the decline of pubs. We went to Glasgow to record them with Jim Lang and brought them back to Bristol to get a drummer (Brian Price from The Flatmates and Peru) and bass player Jim Evans (who’s also an established solo act) to make them a live band. Stephanie Black (a Bristol based) artist is going to do visuals for the live show.

~ How would you best describe your music for those who may not have come across it yet?
The album is mix up of upbeat breezy indie tunes and downbeat strums around the themes of wine, bereavement, and the gentrification of pubs.

 

~ Part of the inspiration for the album’s lyrics is about the demise of pubs. What led you down this path?
I’ve played hundreds of pub gigs as Lonely Tourist. Good ones and terrible ones. A few of them I played just before the pubs shut down (live music being something they try to put on to bring folk through the door). I’ve had some great nights but then a few months later you find out they’ve closed down (sometimes forever). So the sentimental side of me wanted to write something about it.

It just seemed that social history is being erased at a fast pace now that a lot of the pubs are worth way more as real estate than they are a business. The example I picked is a pub that was a fairly random choice (I had only been in it once) but it sort of symbolised what’s happened to loads of pubs all over the UK. Pubs survive all sorts of stuff… bankruptcy, bombing during the war, the complete loss of all surrounding businesses and housing, but in the past few years the buildings are suddenly worth millions and are put on the market.

~ When did you first pick up a guitar, and can you play any other instruments?
I always wanted to be a drummer. I can play them a bit, but I got a guitar when I was 13 and was taught some Wedding Present and Billy Bragg songs and I’ve been playing (badly) ever since.

~ Are you a perfectionist?
Whatever the opposite of a perfectionist is… that’s me! A ‘thatlldo-ist’ and an ‘arewefinishediwantapint-ist’. Fortunately I work with people who are perfectionists. So I owe them a lot!

~ If you could change one thing about the music industry, what would it be?
I don’t know if I’m qualified to say. I do my thing. All the people I know who play music do their own thing too, and the music industry seems to exist in another world that I only cross paths with occasionally. Like getting an email from a mate who’s become a millionaire but still keeps in touch. You’re still mates but you find it hard to show that much interest in the trouble they are having finding a swimming pool cleaner! I still play all the time but there’s so much that goes on outside the big boys music business (the one that involves pluggers, management, reps, lawyers etc) that you can exist and do quite well, but have almost no interaction with it.

 

 

~ Who were your musical heroes when you were growing up?
Freddie Mercury when I was about 12, then Morrissey for a bit, but I still think Mark E Smith is a genius (I’ve loved the fall since I was 15). I also liked Loudon Wainwright when I was 15, and still do, and David Gedge was a hero as a teenager. I still think he’s great.

~ What’s the best gig you’ve been to?
Loads. John Grant with the northern philharmonic in 2014 was really incredible. Quasi at Mono in Glasgow a long time ago. Mogwai – every time I see them I think it’s the best thing I’ve ever seen.

~ Are there any other new bands or musicians from the Bristol area that you recommend we check out?

Idles

Gaz Brookfield

Milos Planes

St Pierre Snake Invasion

Jim Evans

Locks

Spectres

Rhain

Chris Webb / Poor Old Dogs / Montgomeries / Slap ya Mama Band are all great and worth looking up too.

~ Aside from music, do you have any other creative skills?
I can make nice soup, but I have no skills at all. I’m fkn useless tbh.

~ What are your plans for 2016?
A number of Plume of Feathers and Lonely Tourist gigs, and another Lonely Tourist album before the end of the year. I’m playing the 6music Festival Fringe too.

~ Lager, bitter, cider or stout?
I’m off the cider cos it sends me mental the next day. Maybe some ale thing maybe. Nothing too feisty… and maybe not too much like Hoegaarden either. I never object to a pint of lager though. Stout is undrinkable pish.

~ And finally, whose hair would you like to have for just one day?

Monday – Rod Stewart

Tuesday – Alex Turner

Wednesday – Tina Turner

Thursday – Georgios Samras

Friday – George Jones (mid 70’s)

Saturday – Robert Smith

Sunday – (am) Art Garfunkel (around about 1973) / (pm) Dougie Donnelly in the mid 90s

 

George Jones (1970's)

George Jones (mid 70’s) / Paul Tierney (Friday’s)

The eight excellent but varied tunes in the latest mixtape take us on a bit of a world tour, which include some UK indie & garage rock, Danish Scandi noir… and Chilean psych weirdness! Enjoy.

 


Hvman – Out Of The Frying Pan & Into The Fire
Dancing Years – Neon Lights
Emil Friis – The Future
The Mugris – Se Tú Mismo
Sisteray – Back to Yours
Plume of Feathers – Lock In
Polar States – Elizabeth
Some Velvet Morning – Damocles

This first selection of Emerging artists for 2016 is another varied selection of outstanding up and coming artists covering a few different genres, and they are all linked by the impressive quality of both their songwriting and musicianship. I love ’em all, but which are your favourites?

The Assist – Love
If you love your alternative dance in a baggy Happy Mondays style then you should fall head over heels for this track from Walsall 4-piece The Assist. It’s full of swagger, and with a funky melodic hook to instantly draw you in too. A rousing and anthemic gem.
Soundcloud | Twitter | Facebook

 

Mellor – Dolly Daydream
For a band whose usual raucous sound is compared to the likes of Miles Kane or The Libertines, Dolly Daydream is a more of a laid back piano ballad, but one which retains a strong melody and stirring chorus, and is the lead track taken from their upcoming “Damage/Joy” EP, out on March 11th. Dolly should be proud.
Website | Soundcloud | Twitter | Facebook
[Sorry – track removed from soundcloud]

 

Fin Henderson – Lady Lately
For a 19-year old, York based singer-songwriter Fin Henderson has a quality that belies his years. Lady Lately is possibly an uncomplicated track, but therein lies its beauty, as it emphasises his impressive vocals and melodic piano led instrumentation. A dazzling achievement.
Website | Bandcamp | Soundcloud | Twitter | Facebook
[Sorry – track removed from soundcloud]

 

Wennink – Dissolve
Wennink is the collaboration of London-based singer songwriter Oliver Wennink, and producer Matt Owen, while Dissolve is a wonderfully haunting and ambient electronica track. The smooth vocals and intricate production also combine with a seemingly effortless ease to create something quite beautiful. It’s both exotic and moody!
Website | Soundcloud | YouTube | Twitter | Facebook

Happy New Year to you all and welcome to the first mixtape of 2016, which surely proves that musicians didn’t take their foot off the pedal as last year drew to a close. Enjoy…


Colony House – Silhouettes
The Assist – Love
DMA’s – Delete
Computer Magic – Save Your Life
Bloom – Voices
Zara Kershaw – Landslides
The Low Countries – Sun Street
Get Inuit – I Am The Hot Air

As highlighted in the Best of 2015 Mixtape, it’s been another outstanding musical year for new and independent artists. So as it draws to a close we reveal our Alternative Friday Awards, which cover an eclectic array of music, from the rousing and the mellow… to the rather bemused! So who are the winners?

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Best debut album:  Geraint Rhys & the Lost Generation – All That Is Left Is Love
When a musical mix of reggae, folk, rock and pop influences come together, and you add great lyrics, powerful melodies, and warm vocals, it makes for a perfect song. Do that track after track as well, and it equals an outstanding album. No mean feat.

 

Best EP:  The Wealden – Rushes
It’s alternative, it’s funky, it’s surely something Bowie & Byrne would be proud of, and it was fantastic live too. We want more!

 

Most addictive song:  Record/Start – Electric Minds
When a song becomes an earworm, with highly addictive lyrics and melody, it can be very dangerous… especially when wearing headphones on public transport. I got caught singing at the top of my voice! You have been warned.

 

Best Indie Track: Tall Ships – Will To Life
Does what it says on the tin, but when ‘indie’ is done this well it hits all the right notes. Everything about this track is just superb!

 

Most Poignant Song:  True Adventures – North Atlantic Ocean
Love in the cold, wet face of the humdrum? This is a sublime song with lyrics that demand your attention, and a heart warming and delicious melody. You can’t help but smile.

 

Best teenage newcomers:  Charlie Belle
When teenagers produce a great pop song without the ‘help’ of a reality TV show it gives you faith in the future of music, and this does it with ease. Hugely impressive.

 

Best Industrial Electro Post-Punk track:  Plastique – Quake
This is surely sufficient evidence that a hi-energy electro vibe and a rousing post-punk attitude are not mutually exclusive. Turn it up!

 

The Most Puzzled & Exasperated Song of 2015:  Man & the Echo – I Don’t Give a Fuck What You Reckon
I’m not going to argue with Man & the Echo as they get right in our faces with this track. I’ll just quietly say it merges cheeky lyrics, aimed at modern life’s inane obsession with social media, along with a catchy indie guitar tune. One to sing-along with… just be careful who to!

 

Most Hypnotic Track featuring vocals of unknown identity:  Souls – I Wait For You
Mesmerising and polished instrumentation, plus haunting vocals, equals quite a trance inducing gem of a song which is both distinctive and brilliant.

 

Best Blues Rock track: Broken Witt Rebels – Shake Me Down
Bands from Birmingham, Alabama might be able to produce great rocky blues tracks, but here’s evidence that bands from Birmingham, England can match them too.

[Sorry – track removed from soundcloud]

 

A fine set of winners, I hope you agree? Now roll on 2016…

 

2015 has been a fantastic year for new and independent artists, so this playlist could have been triple the length! It’s been whittled down to this eclectic mix though, covering everything from indie to folk, pop to hip-hop, and chill out to electro post-punk. Enjoy…


Record/Start – Electric Minds
Tall Ships – Will To Life
Stereopol – The Hitch
Rews – Can You Feel It
Plume of Feathers – First Date
Border Scout – Let’s Pretend We’re Dead
Charlie Belle – Petting Zoo
DMA’S – Feels Like 37
Souls – I Wait For You
Plastique – Quake
True Adventures – North Atlantic Ocean
Zurich – Small Wars
Antix – Come Home
A Billion Lions – Torquay
GirlBoy – Jennifer Lawrence
Dua Lipa – Be The One
Geraint Rhys – Take Your Time
Man & the Echo – Take Your Time
Lear Lake – Shadows
Moth Effect – Otomadrone

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